Oscars Shortlists Announced: Animation Projects Compete In Record 7 Shortlist Categories
The animated short film shortlist is led by films from France and Japan.
The animated short film shortlist is led by films from France and Japan.
The new online video series, called ‘Directing The Invisible Art,’ explores how film directors work with animators on hybrid productions.
Conley was most recently executive producer at Wētā FX, where he worked on projects such as ‘Avatar: The Way of Water,’ ‘The Last of Us’ series, and the Oscar-winning short ‘War is Over!’
The combination of the two companies lifts their workforce to over 900 artists.
The Emmy Awards will be presented in September.
The studio’s last day of operation will be July 5.
Director John Krasinski wanted to create a tactile and tangible world for a whole host of diverse characters.
Workers are bracing for layoffs to hit at the company’s studios in the U.K. and Canada.
Out today, ‘3 Body Problem’ promises to be a spectacle unlike anything the streamer has released so far.
The acquisition Real-time vfx is becoming an increasingly important part of game development.
According to Phantom, the acquisition will create 250-300 vfx job in India, the U.S., and Canada.
It also marks the first time that a PG-13 film has won the category.
VFX and animation studios across the U.K. are celebrating an increased expenditure credit included in the country’s spring budget.
IATSE organizers say that workers at DNEG Toronto have already filed for union certification and are waiting for the labor board confirmation.
Since the VES Awards introduced its visual effects in an animation prize in 2008, 11 of the 15 winners went on to win the animated feature Oscar.
Bakshi also gave us access to a trove of behind-the-scenes artwork and explained how his team brought life to Element City and its characters.
Ross Stringer’s coming-of-age short ‘Crab Day’ won best British short animation and ‘Poor Things’ won best effects.
‘To Bird or Not to Bird’ won best animated short and ‘The Society of the Snow’ won best special effects.
Visual effects supervisor M. Scott McKee shares insights and artwork from behind the scenes of Netflix’s upcoming feature.
The year’s race features a 1920s-set stop-motion immigration tale, a vibrant mother-daughter story, and a sci-fi noir thriller.