First Look: Disney’s CGI-Filled ‘Jungle Book’ Reboot
Jon Favreau’s dark reboot screens like a terrorized tale drained of humor, compared to Wolfgang Reitherman’s amiable 1967 feature.
#Woolie Reitherman
‘Mouse in Transition’: The Trials of ‘Oliver & Company’ (Chapter 17)
Steve Hulett recounts his experiences working on “Oliver & Company” and the unexpected tragedy that happened during its production.
Animators and Mirrors
Though the work that animators create is often exhilarating, the actual process of animating, which involves sitting at a desk for hours …
‘Mouse in Transition’: When Everyone Left Disney (Chapter 7)
Don Bluth smiled at me. “I wouldn’t worry about being laid off from Disney’s, Steve. Nobody gets laid off around here. When somebody messes up, the studio just sends them to WED.”
‘Mouse in Transition’: The Marathon Meetings of Wolfgang Reitherman (Chapter 5)
My wrestling match with Ken Anderson now over, I returned once more to Wolfgang “Woolie” Reitherman and Larry Clemmons, working on the story end of “The Fox and the Hound.”
‘Mouse in Transition’: And Then There Was…Ken! (Chapter 4)
I was back in Don Duckwall’s office, exchanging insincere smiles with him. I had been on “The Fox and the Hound” with Larry, Woolie, and everybody else for half a year. But now Don wanted me to go on another assignment.
‘Mouse in Transition’: The Disney Animation Story Crew (Chapter 3)
Larry had me writing sequence scripts for “The Fox and the Hound,” which turned out to be my assignment for the next six months. Part of the package was attending Woolie Reitherman’s marathon story sessions, which often left me drained and dazed. There were also Woolie’s marathon take-selection meetings, which left me drained and bewildered.
‘Mouse in Transition’: Larry Clemmons (Chapter 2)
Disney’s head animation writer in 1977 was cartoon veteran Larry Clemmons, who had first been hired at the studio in 1930. At the time of his hiring, he was a Yale graduate with a degree in architecture, but an Ivy League education was of little value in 1930 when the economy was collapsing…and few buildings were being erected.
This Disney Artist Received The Most Amazing Gift When He Left the Studio in 1937
He was one very lucky artist.
Arriving This Week: Pete Docter’s Flipbook Tribute to the 9 Old Men
The pet project of UP director and flipbook aficionado Pete Docter: a packaged boxed-set of nine flipbooks.
American Pooh Vs. Russian Pooh
Swiss animator Oswald Iten has written an enlightening analysis of the different approaches to narrative and characterization used by the …
