Pinocchio Archives | Cartoon Brew

More Than A Pretty Voice: A Look At The Actors Behind Iconic Disney Animated Characters

Cartoon Brew looks at the faces behind the voices of dozens of Disney’s most iconic characters from the studio’s early animated features.

‘Pinocchio’ Reviews Roundup: Solid Animation Can’t Save Disney’s Dull Remake

Critics agree that anyone with Disney+ account would be better served by simply rewatching the 1940 original.

Full Trailer For Disney’s Hybrid Reboot Of ‘Pinocchio’ Unveils CG Title Character

‘Pinocchio’ will premiere September on Disney+.

Netflix Drops Trailer For Guillermo Del Toro’s ‘Pinocchio’

Guillermo del Toro’s ‘Pinocchio’ will get a brief theatrical run in November before landing on Netflix in December.

Disney Releases Teaser For Animated/Live-Action Hybrid ‘Pinocchio’

Launching September 8 on Disney+, the hybrid feature has far more animation in it than you’d expect.

With ‘Pinocchio’ And ‘Bambi,’ Disney Is Raiding Its 1940s Catalogue For Remakes

These early masterpieces present Disney’s remake machine with its biggest challenges yet. Here’s why.

‘Paddington’ Director Paul King Exits Disney’s Live-Action ‘Pinocchio’

Paul King is the second director to pull out of Disney’s “Pinocchio” remake.

Guillermo Del Toro Will Direct Stop-Motion Musical Feature ‘Pinocchio’ For Netflix

The Oscar-winning director will make his animated feature directorial debut with the streaming service.

Annecy Will Host Genndy Tartakovsky, Masaaki Yuasa, ‘Zootopia’ Directors, Richard Williams

Annecy is taking over San Diego Comic-Con as the place for Hollywood to preview its major projects.

Interview: John Canemaker on Discovering Disney’s Moviemaking Secrets

Animation historian John Canemaker talks about the process and challenges of creating the monumental new biography “The Lost Notebook: Herman Schultheis & the Secrets of Walt Disney’s Movie Magic.”

‘Mouse in Transition’: Detour Into Disney History (Chapter 6)

Before I got hired at Disney Features, I sold a few magazine articles and developed a love of writing for print, where there was nothing between writer and reader but words on a page. When I became a Disney employee, I realized I was surrounded by animation veterans with vivid memories of the rambunctious days at the old Hyperion studio, and the creative struggles that went into making “Snow White,” “Pinocchio,” and the other early features. Talking to older Mouse House staffers, it dawned on me they could provide great source material for articles.

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