Disney Archives Page 4 of 61

‘Moon Girl And Devil Dinosaur’ Producers Breakdown Show’s Signature ‘Mixtape’ Sequence (Exclusive Artwork)

Steve Loter and Rodney Clouden describe the blend of music, narrative, and aesthetics in one of the show’s signature “mixtape” sequences.

A new exposé about Roiland offers startling details about his work in animation.

After earning 51 nominations and 20 wins last year, Netflix again leads the pack with 50 nominations.

The reboot is part of a new overall deal between show creator Dan Povenmire and Disney Branded Television.

And ‘Strange World’ inched closer to ‘Dragon Ball Super: Super Hero’ in total NA box office.

We explain what happens when Disney loses the copyright to ‘Steamboat Willie,’ but still owns the Mickey Mouse trademark.

Iger is back, but only for two years, and the search is on to find a successor sooner rather than later.

In the battle for American feature animation supremacy, NBCUniversal’s chief takes a shot at struggling competitor Disney.

Disney legend Eric Goldberg directs, with animation by Goldberg, Mark Henn, and Randy Haycock.

A detailed timeline of Chapek’s missteps while in charge at the House of Mouse.

At the end of his current two-year term as CEO, Iger will resume the consultancy role he started last year.

‘Strange World’s opening weekend haul is the worst for a Disney animated feature since ‘The Emperor’s New Grove’ in 2000.

‘Strange World’ hits theaters this week, so we checked in on what the critics are saying about Disney’s latest animated feature.

A key figure in Disney’s shift towards data-driven decision-making, Daniel’s departure seemed likely after Iger’s return.

“We will not make an edit where we believe it would impact the storytelling,” said a Disney spokesperson.

The market was bullish after the news, with Disney shares up 10% in pre-market trading on Monday.

‘Elemental,’ based loosely on Sohn’s childhood growing up in the Bronx, will release in theaters in June of next year.

In a memo to executives, CEO Bob Chapek outlined a series of cost-cutting measures headed Disney’s way.

The Criterion release is a one-off project driven by “my own filmmaker ego” says director Andrew Stanton.

John Lasseter “really couldn’t support my vision,” says Selick.