‘Sonic the Hedgehog’ Director Jeff Fowler Says Sonic Will Be Re-Designed
Who likes working overtime?
Who likes working overtime?
The new trailer for “Sonic the Hedgehog” has ignited an onslaught of negative reactions.
“Captain Marvel” had the sixth-biggest worldwide opening in history, and the second highest debut for a Marvel movie.
It’s breakdown season – here’s our guide to some of the best making of clips, reels, and behind-the-scenes featurettes.
With “Alita: Battle Angel” poised for release, we take a look at the state of play in photorealistic cg humans.
A major vfx player is opening up shop in Montreal.
Who’s in and who’s out – here’s a look at the field of contenders for the visual effects Academy Award.
As usual, animation and vfx played a big role in the making of “Ant-Man and The Wasp.”
Cartoon Brew spoke to Weta Digital and Digital Domain to find out how multiple studios working on the same vfx character can achieve a seamless performance.
A look at the steps involved in “Ready Player One”’s virtual production paradigm.
Steven Spielberg’s “Ready Player One” is a lot more animated than you may think.
The ‘Homecoming’ filmmakers wanted to show Spider-Man’s tentative side in the movie’s dramatic ferry scene.
Disney’s live-action/cg remake of “Beauty and the Beast” is forty minutes longer than the original.
Hollywood is honoring the cgi and vfx technologies that play such a huge role in filmmaking nowadays.
Morphing has been an important part of vfx for quite a while. Here’s 10 memorable morphs that made us go wow!
A deep dive with researcher Paul Debevec, who has been pivotal in some of the biggest innovations in vfx, including photoreal digital characters.
A new book pulls back the curtain on the vfx industry and offers a somber, if not fascinating, read on the current state of the business.
Let’s give credit where credit is due.
Last Friday the Scientific and Technical Awards Committee of the Academy of Motion Picture Arts and Sciences announced a list of 21 scientific and technical achievements in 16 different areas, which have been selected for further awards consideration.
How the film’s co-director Aaron Blaise is keeping the memory of Digital Domain’s unproduced “Legend of Tembo” alive.
Beijing, China; Mumbai, India and Venice, Calif.—September 23, 2012— Digital Domain Media Group, Inc. (“DDMG”) (OTCQB: DDMGQ) …
PORT ST. LUCIE, Fla., September 11, 2012 — Digital Domain Media Group, Inc. (NYSE: DDMG) has filed voluntary petitions for relief under …
Company Begins Cessation of Florida Studio Operations PORT ST. LUCIE, Fla.—September 7, 2012— Digital Domain Media Group, Inc. …
http://www.youtube.com/watch?v=HLThzvsPCkI&feature=youtu.be Venice, CA — Digital Domain created an oppressive computer generated …
PORT ST. LUCIE, FL — Digital Domain Media Group, the Florida State University College of Motion Picture Arts and the City of West Palm …
PORT ST. LUCIE, Fla., Aug 03, 2012 — Digital Domain Media Group, Inc. announces its support for the open source release of …
Port St. Lucie, FL — Digital Domain Media Group (DDMG) has named industry veteran Jim Berney Head of Studio at DDMG in Florida. …
Vancouver, BC – Digital Domain has named Jason Dowdeswell head of production for its Vancouver studio. The 20-year industry veteran …
Brings Total of Government and Partner Funding to More than $285 Million PORT ST. LUCIE, Fla., May 24, 2012 — Digital Domain Media …
A few months ago we reported about Digital Domain’s plans for its CG animation studio in Port St. Lucie, Florida. They announced recently …
Visual effects house Digital Domain is building a $40 million, 120,000-square foot studio in Port St. Lucie, Florida. The plan: expand …