Pérez Irigoyen’s company Dessignare has found success with unconventional screen formats for animation in planetarium venues and virtual reality.
Dutch artist Jasper Hesseling used iClone to model and animate a 3d Jessica Rabbit in just two weeks.
Beeple’s path from working-class digital artist to art world superstar is a lesson for indie animators and the value of embracing emerging tech.
A new music video for Foo Fighters’ “Chasing Birds.”
A man materializes in a foreign world and starts his journey towards the center of the fantastical city.
Cinema 4D’s latest release puts the emphasis on animation.
Music video for Deadmau5 and The Neptunes’s “Pomegranate.”
Zeyu Ren explains how he thinks Quill could benefit all animators working in 3d.
Festival titles for 2019 Playgrounds event in Eindhoven, Netherlands.
A hybrid digital and traditional process was used to create this music video for Mitski’s “A Pearl.”
Although Nick DenBoer uses standard off-the-shelf software, he’s using the tools in pursuit of a comic vision that is infrequently seen in the vfx arena.
At a time when digital artists are still grappling with the potential of computer animation, Nikita Diakur’s “Ugly” is an eye-opening dive into the medium’s untapped possibilities and a bold statement on where cg animation might still go.
Glassworks, Headless Productions, and MPC collaborated to create the stunning visual landscape in “A Monster Calls,” opening wide in the U.S. today.
