Gints Zilbalodis On The Improvisational Filmmaking Style Of ‘Flow’
“After finishing the script, I did not read it again,” Zilbalodis told Cartoon Brew. “Even when I was making the animatic, that was based on my memory of the script.”
“After finishing the script, I did not read it again,” Zilbalodis told Cartoon Brew. “Even when I was making the animatic, that was based on my memory of the script.”
A ghost goes for a walk in the woods.
In this Oscar-qualified short, a group of friends go on a roadtrip as their car – and their country – falls apart.
Gints Zilbalodis’s ‘Flow,’ one of the very best animated features of the year, will be released in the U.S. in November.
Clockwork toy characters and sets experience chaos mirroring the song’s unsettled narrative.
Glander spoke with Cartoon Brew about the joys and challenges of self-producing an animated feature.
The student film will be in competition at this year’s Ottawa animation festival.
Students discuss the illuminating panels, workshops, and other events they have organized in recent months.
A producer explains how they built a pipeline for the upcoming hybrid series “Royals Next Door.”
Jérémie Périn’s debut feature is that rare thing in animation: a sci-fi detective story.
While observing abstract shapes, can one feel in ‘alto mare’? An experimental short by Davide Prati.
The Virtual Businessman must get all the beans and kill Grampa.
Santa has some important news.
Bart die and Homer cry. Will we ever find out why?
Director Jérémy Clapin walks us through the making of his new feature “I Lost My Body.”
An exclusive look at Ubisoft’s new animation program.
How the Blender team made a main character for their latest short film.
A man hunts for his dinner in the forest, but things do not go as planned.
Director Jeremy Clapin and producer Marc du Pontavice give Cartoon Brew an exclusive first look at one of the year’s most original animated features, “I Lost My Body.”
Based on the illustrations of Oscar-winning director Michael Dudok de Wit, “Ella, Oscar & Hoo” strikes an unusually poetic chord for a children’s series.
The Grease Pencil provides 2d animation tools within Blender’s free and open-source full-3d pipeline.
How “Next Gen,” now streaming on Netflix, went from idea to animated feature.
An exclusive behind-the-scenes look at Netflix’s new feature “Next Gen.”
Netflix paid $30 million to license this Chinese animated feature, which will debut next month on its service.
The Grease Pencil 2.0 tools will be available in the second half of 2018.
How the directors of ‘Revolting Rhymes’ adapted Roald Dahl’s classic collection of poems, and scored an Oscar short-listing.
Our first look at the highly anticipated feature debut of French filmmaker Jérémy Clapin.
Watch the premiere of the 360-short “Plant Room,” which examines the heavy influence of technology on our lives.
The animation test, intended to be a forerunner to a feature film project, was made in Blender and is inspired by a famous Dutch comic series.
The movie and all its assets will be freely distributed to the public.