Alberto Mielgo’s Early Boards For ‘Spider-Man: Into The Spider-Verse’ Are Nothing Short Of Amazing
A unique look at “Spider-Man: Into the Spider-Verse” at its earliest stages.
After Effects
How Shofela Coker Created Beautiful Visuals On A Budget For The Feature Documentary ‘Liyana’
Working with a limited budget, Nigerian artist Shofela Coker created a lush series of “breathing paintings” for the hybrid documentary “Liyana.”
Going Galactic With Gorillaz: How Their Stylized Watch Ads For G-Shock Were Made
Behind the scenes of the uniquely styled photocollage/2d/3d G-Shock ads featuring the animated Gorillaz.
Reel of the Week: Nick DenBoer
Although Nick DenBoer uses standard off-the-shelf software, he’s using the tools in pursuit of a comic vision that is infrequently seen in the vfx arena.
Interview: Milorad Krstić On His Action-Crime Thriller ‘Ruben Brandt, Collector’
On the day of the film’s world premiere, director Milorad Krstić talks about his action-packed and intellectually stimulating animated thriller.
‘A Monster Calls’ Used Every Kind of Animation To Tell Its Story
Glassworks, Headless Productions, and MPC collaborated to create the stunning visual landscape in “A Monster Calls,” opening wide in the U.S. today.
Fusion Compositing Software Is Now Free And Available On Macs
There’s never been a better time to composite your vfx/animation projects and do color grading — for free.
3 of 3