Thoughts and perspectives from industry professionals.
In a roundtable, he added: “As an animation studio, I just think it’s important we protect the artists and the art form as long as we can.”
Filmmakers who have remained on Vimeo, like Ivan Li, have to deal with inconsistent content moderation policies, among other headaches.
Youtuber Dan Olson sees the system as geared toward the interests of a select few investors — and so against artists in general.
Kambole Campbell reflects on what feels fresh — and what doesn’t — in Netflix’s new series about a Black samurai.
Jen Hurler reflect on her time at the studio, which will shut down in April.
Stay small. Keep family close. Don’t be an asshole. These are some of the rules that have worked for animation director and studio owner J.J. Sedelmaier.
Filmmaker and animator Patrick Smith is no stranger to self-isolation. He does it on purpose. He shares the techniques that have made him more productive than working in a studio.
Two-time Oscar-nominated animation director Kelly Asbury writes about the lessons he’s learned and the gambles he’s taken in his long career.
Two-time Oscar-nominated director Kelly Asbury writes about his emotional journey in recent years after his last two animated features underperformed at the U.S. box office.
Georgia Cano, one of the three lead plaintiffs in the animation wage-fixing lawsuit, speaks out for the first time.
