The Animation That Changed Me: Tomm Moore on ‘The Thief And The Cobbler’
In this new series, leading filmmakers and artists discuss works of animation that have had a formative influence on them.
In this new series, leading filmmakers and artists discuss works of animation that have had a formative influence on them.
How Bluth went from Disney defector to Dublin’s animation don.
Pixar’s latest topped the rankings with all of $27,000.
Africa’s largest animation studio is looking to Europe to expand.
The final panel of Cartoon Saloon’s “Irish folklore triptych” is almost here.
It’s not all Covid. Honest.
Fifty percent of production spending in Ireland is now animation.
The producer of the upcoming series explains why Finnish animation is going global — and what that means for the continent.
Read the latest statements on the disease from major animation festivals.
The veteran producer will lead the trade body through a period of extraordinary growth for Ireland’s animation industry.
The showrunners of three series — “Puffin Rock,” “Moominvalley,” and “Cupcake & Dino: General Services” — told us what helped them make the first season of their shows.
A round-up of upcoming animation festivals and events across the world.
The Nick Jr. series is a striking hybrid of live action and animation. Its creators break the production process down for Cartoon Brew.
“The Amazing Maurice” will be the first animated feature film ever made from a Terry Pratchett novel.
In this new episode of our series “This is My Job,” the Oscar-nominated director talks about what she’s learned about running an animation studio.
A look at new and upcoming animation series for tv and streaming.
A look at new and upcoming animated series.
Lighthouse, a joint venture between Mercury Filmworks and Cartoon Saloon, continues to grow in Kilkenny, Ireland.
In the second part of this exclusive series, we explore the production design of “Animal Behaviour,” “Bird Karma,” “Late Afternoon,” “Grandpa Walrus,” and “Weekends.”
The Academy is honoring animated shorts by snubbing the majority of the year’s most artistic and creative animated short films.