Black-Owned Studio Smokescreen Launches In L.A., Watch Their First Short Here
Founder Kris Wimberly discusses the new studio, meant to be a gateway into the industry for artists from marginalized communities.
Founder Kris Wimberly discusses the new studio, meant to be a gateway into the industry for artists from marginalized communities.
Director Chris Williams discuss the cinematic influences behind The Sea Beast, and how working on Moana prepped him for this film.
Watch the directing duo of Lilo & Stitch reminisce about the creation, development, production, and enduring legacy of the Disney classic.
Working from home, the studio developed a new IMAX pipeline for its first theatrical release in more than two years.
Joaquim Dos Santos, Kemp Powers, and Justin K. Thompson sat down with Cartoon Brew’s Kambole Campbell to discuss the Spidey sequel.
Former Annecy winner Alberto Vázquez uses teddy bears and unicorns to deliver his colorful, vulgar, and hilarious anti-war allegory.
A look at how Lei Lei combined his own ancestry with photos picked up at flea markets to tell a timeless story about family.
“We have so much ability to love, but our ability to hate comes from the same place,” Baumane learned while researching the film.
Apollo 10 1/2 director Richard Linklater discusses his return to rotoscope, crafting a visual narrative, and the flexibility of memory.
Nick recruited independent artists from around the world to create music videos for classic kids songs which appear in the show.
“The race for realism is over [in cg animation]”, says Perifel, who took a more illustrative approach to character posing and other elements of Dreamworks’s The Bad Guys.
Awards season comes to a close this weekend with the Oscars, which makes it an ideal time to review some of our key coverage of this year’s Oscar-nominated features and shorts.
“Encanto” could have easily become a Mirabel and Bruno buddy story, but “from the beginning we knew we didn’t want to fall into that trope,” explained Byron Howard.
Jansen’s masterful integration of archival footage, audio recording, and animation was key to the success of three-time Oscar-nominated “Flee.”
The film was made during Chile’s recent social uprising. “We were making a short film about torture in the past, while this was happening again in our country,” says director Hugo Covarrubias.
The crew tell us how they set about adapting the hit game into an animated series with lush production values.
Think of Will Vinton fused with William S. Burroughs, with a dash of “Mad Max” and The Clash. Director Cesar Cabral tells us about the making of his wildly unique animated feature.
Morgan Galen King and Philip Gelatt started the film as a self-funded passion project. Eight years later, it’s in the running for an Oscar.
Watch directors Don Hall and Carlos López Estrada, alongside co-writer Qui Nguyen, talk about developing the tone and style of the Disney film.
The French studio wants to avoid “the watered-down things” that result from Hollywood’s profit-seeking formula, says “Arcane” lead animator Alexis Wanneroy.