Big Screen, Bigger Sparkle: How DreamWorks Animation Gave ‘Gabby’s Dollhouse’ A Cinematic Makeover
Discover how DreamWorks reimagined ‘Gabby’s Dollhouse’ with richer textures, tactile details, smart scaling, and feature-level animation.
Discover how DreamWorks reimagined ‘Gabby’s Dollhouse’ with richer textures, tactile details, smart scaling, and feature-level animation.
‘Zootopia 2’ grew bigger as directors Jared Bush and Byron Howard stayed “free to fail,” taking risks to push story and world-building while keeping its heart.
Filmmaker Matea Radic revisits war-torn Sarajevo decades later in ‘Paradaïz,’ blending memory, loss, and identity in a moving animated short.
Writer and producer Jessica Conrad and director Gabriel DeFrancesco explain what goes into making an episode of TV’s most iconic animated sitcom.
Rasoul T. Zarrin’s hand-drawn holiday special, ‘Crickhopper the Musician,’ pitches this weekend at the Festival of Animation Berlin.
Netflix dropped a new trailer for its upcoming original ‘In Your Dreams,’ so we sat down with Pilcher to find out how his team created the film’s dreamscapes.
Engelhardt, Spears, and a team of 200 volunteers spent five years working in their free time to create the short, including its lush, wood carved aesthetic.
Mykyta Lyskov’s ‘Kyiv Cake’ layers humor, tragedy, and surreal imagery to capture Ukraine’s resilience and defiance during war.
Discover how Dave and Noah Gallagher built MechWest, a family-led indie series powered by AnimSchool grads and global collaborators.
At Toronto, Ugo Bienvenu discusses the global influences behind ‘Arco,’ while Natalie Portman reflects on producing her first animated film.
‘Light of the World’ brings hand-drawn 2D animation back to theaters with a global team, indie spirit, and some ’90s Disney known-how.
Journalist and writer Roland Kelts, Ghibli vet and Studio Ponoc founder Geoffrey Wexler, and Polygon Pictures’ CEO Shuzo John Shiota share insights on anime’s global boom.
‘Tuca & Bertie’ Lisa Hanawalt discusses shaping the look of ‘BoJack Horseman’ and reinventing her style for ‘Long Story Short’ with Raphael Bob-Waksberg.
DreamWorks animators reveal how ‘The Bad Guys 2’ amps up its hybrid style with hand-drawn effects, anime-inspired flair, and ambitious action set pieces.
Screenwriter Shuko Nemoto shares her process behind Netflix’s ‘My Melody & Kuromi’ and how she brought emotional depth to beloved Sanrio icons.
Julian Glander’s debut feature, ‘Boys Go to Jupiter,’ blends surreal CG animation, Gen Z humor, and DIY production into a one-of-a-kind indie film.
In a 2004 interview with film critic Leonard Maltin, the legendary sci-fi author discussed his relationship with the entertainment industry icon.
‘We treated the cars like characters’: Kevin Van Der Meiren and David Nicolas on the show’s surreal Hot Wheels-inspired titles.
“I wasn’t aiming for realism,” says “MirrorMask” director Dave McKean. “CG can go anywhere and be anything, [but] so much of it is just trying to be photoreal, and that seems a very narrow target.”
“The ultimate challenge,” said co-director Chris Appelhans, “is that pop music, above all, needs to be a bop and it needs to be hooky, and it needs to be irresistible.”