‘The Donn Of Tiki’: How 2D And Stop-Motion Animation Elevate This Documentary About The Creator Of Tiki Culture
Filmmakers needed multiple animation styles to convey the many ways that Donn Beach re-invented himself in the mid-20th Century.
Filmmakers needed multiple animation styles to convey the many ways that Donn Beach re-invented himself in the mid-20th Century.
The Oscar-nominated ‘Robin Robin’ directors joined us to share behind-the-scenes stories and artwork from their indie project.
Paul Young, Nora Twomey, and Tomm Moore sat down with the BFI to discuss the storied history of their five-time Oscar-nominated studio.
‘Snif & Snüf’ blends vintage cartoon action with a joyous soundtrack to fuel a rivalry between two fun characters.
Karacas and fellow RISD teacher Luca Depardon used multiple techniques to craft an epic battle between cats and robots for the video.
‘Stopmotion’ is a live-action horror film, but also contains three stop-motion shorts within its 93-minute runtime.
Po’s journey of learning to embrace change will be relatable to not just kids and family audiences, but also to animation industry workers, says director Mike Mitchell.
Accomplished short filmmaker László Csáki’s joined us to discuss crafting his feature debut.
Kris Anka and Jesús Alonso Iglesias discuss some of the most memorable characters from the Oscar-nominated Spidey-sequel.
What do you get when you lock up a director, an art director, and a storyboard artist together in a room for 18 months?
Displaced to London and Montreal by the Russian invasion, the siblings made the Ukrainian Academy Award-nominated 2022 short ‘Little Wings.’
Suzuki says he knew he’d likely appear in the film, but was surprised to be a main character and even more so to be a bird.
Medrano bypassed the traditional studio route to build her own independent brand online. Now, major streamers and studios want to work with her.
‘Girl and Wolf’ is the feature debut of standout Spanish animator Roc Espinet, who adapts his own graphic novel with the film.
“It wasn’t what I signed up for,” Henn said of his last few years at Walt Disney Animation Studios.
The three popular creators got together to respond to assumptions people have about their careers.
Shinkai opened up about his unique (mostly) solitary process of writing and developing films.
“After switching from hand-drawn to digital animation, many of Disney’s works became disappointing,” said Tomino.
The director joined us to discuss why animals make the best protagonists and the importance of a good score.
Meledandri says if established studios tried cutting budgets to Illumination levels, it would be disruptive to their artistic culture.