Inside The Insanity Of ‘Gumball’s’ Holiday Special, ‘The Cheapmas’
Creators Ben Bocquelet and Erik Fountain break down the long wait, warped humor, and production challenges behind Gumball’s rare Christmas episode.
Creators Ben Bocquelet and Erik Fountain break down the long wait, warped humor, and production challenges behind Gumball’s rare Christmas episode.
Directors of ‘Endless Cookie,’ ‘Black Butterflies,’ ‘Boys Go to Jupiter,’ ‘Dog of God,’ and ‘Slide’ discuss their 2025 indie gems.
Isamu Imamake discusses character design, depictions of Hell and Shambhala, and blending hand-drawn and CG animation in his latest feature.
The veteran producer discusses cultural ambition, original filmmaking, and how Studio 4°C navigates an anime industry driven by IP and scale.
Director Haruo Sotozaki and DP Yûichi Terao discuss global success, creative pressure, fandom expectations, and shaping the franchise’s final chapter.
From story structure to CG textures, Derek Drymon and the Reel FX animation team detail how SpongeBob’s theatrical DNA was preserved and expanded.
McHale and Ward discuss the guts of their three-act special, creating in isolation, and embracing non-canon storytelling, creative risk, and collaboration.
Norway’s Animasjonsdepartementet and Sweden’s Brikk Animation used Don Bluth-era nostalgia and heartbreak to deliver an important anti-waste Christmas PSA.
A craft-focused conversation on visual storytelling, unconventional workflows, and preserving a singular creative voice while making an animated film.
Jeff Kinney explores the challenges and rewards of translating ‘Wimpy Kid’ into CG and why animation continues to expand the franchise’s creative frontiers.
Director Julian Glander unpacks the visual design, storytelling choices, and Blender DIY animation methods behind a defining scene in ‘Boys Go to Jupiter.’
Castillo discusses the film’s horror roots, innovative technological pipeline, and adapting the aesthetic of Francisco de Goya’s Black Paintings in animation.
Miailhe’s painted animation brings Alfred Nakache’s memories to life, charting a swimmer’s resilience through beauty, trauma, and water.
Cartoon Network vet Moynihan delivers a surreal tale of rebirth and existential dread, blending sacred imagery with lo-fi aesthetics.N
The gorgeous CG short follows an orphaned bear cub taken in by a paternal tree, before a hunger for human leftovers leads to disaster.
Director Carlos Baena reveals how epic scale, emotional depth, and unexpected creative freedom drove ‘WondLa’s’ most ambitious season.
Featuring 2D, storybook animation, ‘Póg mo Pigeon’ is the distinctly Irish tale of Mikey, a boy growing up in a strict Catholic household.
Director Seth Scriver on blending family memories, character design, and psychedelic stories in his genre-bending film, in theaters this weekend, VOD on the 16.
‘Luz Diabla’ is a folk-horror story from the team behind 2022 standout ‘Carne de Dios,’ blending queer rave culture with Argentine myth and neon 2D animation.
Ukrainian director Anastasiia Falileieva discusses ‘I Died in Irpin,’ her autobiographical documentary short on war, trauma, and resilience.