The CG Actors in ‘Logan’ You Never Knew Were There
Digital actors are again in the spotlight, with a cg Hugh Jackman and another character made for key scenes in ‘Logan.’
From fully-animated features to vfx-driven live-action films, animation is an integral part of the theatrical marketplace today.
Digital actors are again in the spotlight, with a cg Hugh Jackman and another character made for key scenes in ‘Logan.’
Travis Knight is coming aboard the Transformers franchise.
The Japanese master is returning for one more animated feature.
“My Life As A Zucchini” wins France’s highest animation honor.
As entertaining and satisfying as “Zootopia” may be on a scene-by-scene basis, the movie ultimately fails because it insists on having it both ways simultaneously – anthropomorphic and metaphoric.
Made in America with Chinese money, does “Rock Dog” represent a future for animated features?
A silent comedy legend will be reintroduced to new generations through animation.
Learn about the unique production pipeline used by director Michael Dudok de Wit to create the Oscar-nominated feature “The Red Turtle.”
Here’s our coverage of the 15 contenders who are competing for an animation/vfx Oscar next week.
The director of “Battle of the Gulf” says that the film is “an answer to [American] propaganda.”
“Anomalisa” maker Starburns Industries moves forward with “Bubbles,” a story told from the point of view of Michael Jackson’s famous chimp companion.
European animation producers are putting forward a new vision for family-oriented animated features. Here’s some exciting upcoming projects.
Nathan Jurevicius’ character brand Scarygirl is turning into a cg feature.
‘Kubo and the Two Strings’ beat three Disney animated features for the BAFTA feature animation prize.
Illumination doesn’t publish ‘art of’ books for its films, but you can still get a behind-the-scenes look at how their films are designed.
How Chris McKay immersed himself in the world of Batman for the latest Lego adventure.
The sequel to “The Lego Movie” has a new director.
Director Claude Barras talks about the hard work of achieving simplicity, the keys to making kid characters in animation feel authentic, and why he believes stop motion is the midpoint between fiction and animation.
Despite losing five of its six nominations, “Kubo” still managed to do something no other non-Disney film has done in the last five years.
Watch a clip from “Have A Nice Day,” a black comedy from China that will debut at the Berlinale.