From Performance Capture To Creature: How The Apes Were Created In ‘War for the Planet of the Apes’
An overview of Weta Digital’s process in turning performance capture into final animation in the newest ‘Apes’ film.
From fully-animated features to vfx-driven live-action films, animation is an integral part of the theatrical marketplace today.
An overview of Weta Digital’s process in turning performance capture into final animation in the newest ‘Apes’ film.
The much-buzzed-about oil-painted feature “Loving Vincent” will launch in the U.S. in September.
Pixar’s next original film is about two teenage elf brothers trying to reconnect with their dead dad.
Gnome guts, gnome glory.
A new film from the co-director of “Ernest & Celestine.”
How the vfx crew used on-set puppeteering and cg to bring the star of ‘Okja’ to life.
The animated adaptation of Noelle Stevenson’s Eisner-winning graphic novel will be animated at Blue Sky Studios.
The Chinese animated feature “Have A Nice Day” is headed to U.S. theaters this fall.
After delaying the film’s release and reworking the English dub, The Weinstein Company has released a new trailer for “Leap!”
How the “Transformers: The Last Knight” vfx crew crafted a new kind of transformation for the franchise’s fifth outing.
Enjoy six contemporary classics directed by Hayao Miyazaki on the bigscreen.
Run, don’t walk, to see the U.S. release of this stunningly gorgeous adult fairy tale: “The Girl Without Hands.”
Our first look at “Sgt. Stubby,” arriving in 2018.
Director Patty Jenkins “always couched the visual effects in emotions,” the film’s vfx supervisor Bill Westenhofer tells Cartoon Brew.
The writer and co-director of “A Stork’s Journey” shares the ups and downs of making an indie animated feature across four European countries.
Cartoon Saloon returns to theaters this fall with a very different type of animated feature: “The Breadwinner.” We go in-depth on the new production with director Nora Twomey.
Watch the trailer for “Mutafukaz,” the feature film collab between France’s Ankama and Japan’s Studio4°C.
A deeper look inside the world of Pixar’s next film, “Coco.”
The Chinese government doesn’t want you to see this animated feature.
MPC made Captain Salazar appear underwater, even when he wasn’t.