Sony Pictures Classics Acquires ‘Ruben Brandt, Collector’
The buzzed-about psychological thriller “Ruben Brandt, Collector” is headed for a U.S release in 2019.
From fully-animated features to vfx-driven live-action films, animation is an integral part of the theatrical marketplace today.
The buzzed-about psychological thriller “Ruben Brandt, Collector” is headed for a U.S release in 2019.
It is the first of ten animated features in a co-production pact between Dezerlin Media and Zycon Media.
Cartoon Saloon’s next film will be distributed by an unlikely company: Apple.
The 73-year-old toy company wants to be a player in Hollywood entertainment.
Skydance has acquired live-action film and tv rights to the hit French animated series.
Don’t let the name GKIDS fool you, “MFKZ” is definitely not for kids.
An exclusive behind-the-scenes look at Netflix’s new feature “Next Gen.”
With a new Blu-Ray release of the film debuting today, director Henry Selick shares stories behind the making of “The Nightmare Before Christmas” on its 25th anniversary.
“A Wizard’s Tale” will have a theatrical and VOD day-and-date launch in the U.S.
“The Lego Batman Movie” director Chris McKay will produce the film.
Thirty years after audiences first visited Toontown, the story of the film is being told.
The veteran animation director is joining Reel FX to direct an original feature.
Big development: India’s huge film market is opening up to non-American animated features.
It’s getting harder and harder nowadays to produce an animated feature that looks and feels completely original, but the Brazilian film “Tito and the Birds” fits the bill.
The hit mobile game is being developed as a live-action/cg hybrid feature.
“The Donkey King” will be the second homegrown cg feature released in Pakistan this year.
Meet Super Bao, an innocent and passionate steamed stuffed bun who is out to save the food world from the threat of bland flavors.
First-time animation filmmaker Mark Samsonovich talks to Cartoon Brew about how he became the animation director of the new indie feature ‘We the Animals.’
Netflix paid $30 million to license this Chinese animated feature, which will debut next month on its service.
The last shot of character animation on Disney’s next feature was approved out of the animation department last Friday.