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‘The Super Mario Galaxy Movie’ Set For Out-Of-This-World $350M Opening
Mario returns with huge expectations as ‘Galaxy’ tracks for $160M domestic and $350M global opening in a strong Easter launch window.
Distribution
‘Witch Hat Atelier’ Gets Day-And-Date Dub Launch As Crunchyroll Leans Into Global Simulcasts
Crunchyroll premieres the fantasy adaptation with two episodes and multiple language dubs, part of a broader push for simultaneous worldwide releases.
GKIDS Picks Up U.S. Rights To Alberto Vázquez’s ‘Decorado’ For Spring Release
This year’s Spanish Academy animated feature winner, ‘Decorado’ is a sharp animated satire of late-stage capitalism and the modern media landscape.
Ghibli’s ‘Whisper Of The Heart,’ ‘The Secret World Of Arrietty’ Headding To U.S. IMAX With 4K Remasters
GKIDS brings the underrated Ghibli gems to U.S. and Canadian IMAX screens in newly remastered 4K for one-day event screenings.
Crunchyroll Expands Its U.S. Theatrical Push With New Reincarnated As A Slime Movie
The upcoming film rolls out nationwide this May, aligning cinema exhibition with the franchise’s next major streaming chapter.
‘Kiki’s Delivery Service’ Flies Back To Theaters, This Time in IMAX
More than three decades after its initial release, ‘Kiki’ is getting a 4K remaster for the big, really big, screen. U.S. and Canada tickets are on sale now.
‘KPop Demon Hunters’ To Get Physical Media Release Via The Criterion Collection
Criterion’s release reinforces the film’s cultural impact and marks a huge moment for physical media fans often left longing for their streaming favorites.
Netflix Picks Up ‘I Am Frankelda,’ Mexico’s First Stop-Motion Feature, For 2026 Release
The acclaimed stop-motion milestone from Cinema Fantasma heads to a worldwide audience, buoyed by festival buzz and a Guillermo del Toro endorsement.
AMC Theatres Distances Itself From AI Short, Won’t Screen It
The AI-generated film was set for a nationwide preshow rollout via Screenvision, but AMC says it was never involved and won’t participate.
Dana Terrace’s On ‘Knights Of Guinevere’ Full Greenlight And The Show’s Promised Ending: ‘That’s The Whole Reason This Show Exists’
Terrace discusses Glitch’s full greenlight, her ambition to build a 2D indie pipeline, and what’s ahead for her sci-fi epic.
‘Allegro Non Troppo’ At 50: GKIDS Acquires Bruno Bozzetto Catalog
GKIDS picks up Bruno Bozzetto’s full catalog as the restored cult classic gets a 50th anniversary screening in New York alongside ‘Fantasia.’
Isamu Imakake’s Metaphysical Fantasy ‘Dragon Heart’ Sets U.S. Digital Debut
Isamu Imakake’s spirit-world fantasy secures U.S. distribution following its Japanese theatrical run, arriving on digital platforms March 3.
Netflix Is Bringing Another Animated Original To Theaters, But Only In Japan
The anime feature gets a brief big-screen showcase overseas, underscoring Netflix’s ongoing habit of treating cinemas as optional extras.
GKIDS Brings ‘Macross’ Creator Shoji Kawamori’s First Original Feature ‘Labyrinth’ To U.S. Theaters
GKIDS sets a limited release for May 10 and 11 for Shoji Kawamori’s original sci-fi feature, blending pop music, online identity, and social commentary.
Pixar’s ‘Hoppers’ Could End The Studio’s Original Box Office Losing Streak, Tracking for Best Opening Since ‘Coco’
Early projections suggest a $40–50 million debut, testing whether Pixar originals can once again compete theatrically without franchise support.
Former Paramount Co-CEO Brian Robbins Goes Digital First With His New Label, Big Shot Pictures, Acquires ‘Eloise’ Rights
The former Paramount and Nickelodeon executive has launched a digital-first kids and family studio, blending YouTube incubation with a Sony theatrical deal.
Social Experiment Or Hoax? – The Curious Case Of ‘The Three Sisters’ According To Director Konstantin Bronzit
Konstantin Bronzit explains why ‘The Three Sisters’ was submitted under a false name and country, turning his Oscar-nominated short into a test of bias.
Laika Breaks From Tradition With A Tailored Distribution Strategy For ‘Wildwood’
Fathom Entertainment, behind lucrative ‘Coraline’ and ‘ParaNorman’ re-releases, will handle U.S. distribution, with FilmNation selling internationally.
Netflix Goes On The Record, Promising A Full 45-Day Theatrical Run For Warner Bros. Films
Speaking with the New York Times, Netflix co-CEO said that if his company gets into theatrical distribution: “I want to win box office.”
Aardman Is Heading Back To Theaters, GKIDS Picks Up U.S. Rights To ‘Shaun the Sheep: The Beast of Mossy Bottom’
After Aardman’s last two films went straight to Netflix, ‘Mossy Bottom’ will get a chance with theatrical audiences next Halloween.