Groundbreaking Short Film Paperman Also on Sept. 29 Bill

BURBANK, Calif. (September 12, 2012) — Walt Disney’s 1937 animated masterpiece, Snow White and the Seven Dwarfs, will mark its 75th anniversary with a state-of-the-art digital presentation at the New York Film Festival on Saturday, Sept. 29 at the prestigious Lincoln Center’s Alice Tully Hall. The film will be introduced by acclaimed animator/director/historian Eric Goldberg, who served as supervisor of the Genie character in Aladdin, co-directed of Pocahontas and counts Fantasia 2000 among his credits. Festival attendees will also get a sneak peek at Walt Disney Animation Studios’ newest animated short Paperman, an innovative new animated film that combines the best of both the CG and hand-drawn worlds. Paperman, directed by John Kahrs and produced by Kristina Reed (and utilizing Goldberg’s animation talents), will open in theaters in November with the hilarious arcade-game-hopping adventure Wreck-It Ralph.

“It’s an honor to be introducing Snow White at this year’s New York Film Festival, marking the film’s 75th anniversary,” said Goldberg. “Walt used to refer to Snow White as ‘the one that started it all,’ and he was right. The storytelling, the emotions, the cinematics and the comedy are all so true and so powerful, it’s astonishing to think this assured piece of filmmaking was the studio’s first feature effort. Anyone who is working or has worked in the animation medium owes Snow White a huge debt, as it never ceases to inspire us. Walt and his team created something that is timeless: it isn’t a question of whether Snow White is lacking in surround sound, computer graphics or stereoscopic 3D, it’s whether today’s films can measure up to Snow White.”

Snow White and the Seven Dwarfs premiered on December 21, 1937 at the Carthay Circle Theater in Hollywood, and was the first animated feature film produced by Hollywood. More than 750 artists worked on the film, which took three years to produce. The film received a special Academy Award¼ in 1939, consisting of one full-size Oscar¼ and seven dwarf Oscars, presented to Walt Disney by Shirley Temple. The film became the highest-grossing motion picture up until that time, and held that distinction for two more years (until it was surpassed in 1939 by MGM’s Gone with the Wind).

Snow White and the Seven Dwarfs was the culmination of Walt Disney’s dream to make a full-length animated feature. He had seen a silent version of Snow White, starring Marguerite Chapman in 1917 (when he was just 15 years old), and the story made a tremendous impression on him.

Just as Snow White pushed the boundaries of the medium, the newest Disney short Paperman introduces a ground-breaking technique that seamlessly merges computer-generated and hand-drawn animation techniques to tell the tale of a lonely young man in mid-century New York City, whose destiny takes an unexpected turn after a chance meeting with a beautiful woman on his morning commute. Created by a small, innovative team working at Walt Disney Animation Studios, Paperman pushes the animation medium in an exciting new direction.

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