Thanks to Crowdfunding, Sun Creature Studio Reaps ‘The Reward: Tales of Alethrion’
From low wages to concussions, producing a crowdfunded indie animated series isn’t a job for the faint of heart.
Tunde Vollenbroek
The Art of Animating Horror: An Interview with Robert Morgan
One of the most original voices in contemporary stop motion talks about his work with us.
Can You Make A Career Out of Internet Animation? The Pegbarians Are Definitely Trying
We explore how the Pegbarians have built a career out of balancing commissioned and original work with (or around) YouTube’s monetization system.
Documentary Animators: Now Is The Time To Apply To Denmark’s AniDox:Lab
Designed for directors and producers from both animation and live-action documentary, AniDox:Lab expands storytelling possibilities by mixing the two schools of filmmaking.
13 Pitching Lessons I Learned at Cartoon Springboard
Selling your own project is not easy, but it’s possible. Here are some tips to take your animation pitch to the next level.
‘I’m Not Going to Be Left Behind’: An Interview with ‘Descendants: Wicked World’ Director Aliki Theofilopoulos
One of only two female directors currently at Disney Television Animation, Aliki Theofilopoulos speaks frankly about the ups and downs of her career in the animation industry.
Festival Report: In the Midst of Crisis, Animasyros Propels Greek Animation Industry
Greece doesn’t have much of an animation industry, but Animasyros aims to change that. Cartoon Brew reports from Greece on what their animation industry looks like today.
Job, Joris and Marieke Open Up About Life After An Oscar Nomination
What is life like after receiving an Oscar nomination? Dutch filmmakers Job, Joris & Marieke share their experiences.
Marcell Jankovics Q&A: “Why Would One Imitate Reality?”
The Hungarian animation director opens up on his more than 50 years in animation.
Festival Report: Pictoplasma 2015, Where Character Is King
Cartoon Brew’s European correspondent reports from an art event that emphasizes characters above all else. But is that a good thing?
Paul Driessen Q&A: “I Don’t Look Back”
The great Dutch shorts director turns 75 years old today and he’s not slowing down one bit.
Interview: Directors Albert ‘t Hooft and Paco Vink on ‘Trippel Trappel’
Albert ‘t Hooft and Paco Vink discuss the challenges of directing a low-budget theatrical feature in a small animation market like the Netherlands.
How to Translate a Beloved Dutch Illustrator’s Work Into a $1.25 Million Feature
“Pim and Pom: The Big Adventure” was not only made on a tiny budget, but had the added challenge of translating the visual style of one of the most beloved Dutch children’s book illustrators.
FILM REVIEW: ‘Rocks in My Pockets’: A Deeply Personal Film About Depression
Can an animated feature about depression be entertaining too?
Report: Society for Animation Studies Conference Focuses on Redefining Animation
Besides creating animation, I love to study it theoretically. The process of creation for me is very ‘un-graspable’. There’s so …
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