Fragile Figures: BluBlu Studios On The Haunting Animated Vignettes Of ‘Porcelain War’ Documentary
A new documentary found a unique way to bring life to its ceramic subject matter through a mixed-media animation approach.
A new documentary found a unique way to bring life to its ceramic subject matter through a mixed-media animation approach.
A look at the long, tortured path to finishing a feature film.
Ole Tillmann, art director of ‘Harold Halibut,’ walks us through the production process of one of 2024’s most distinctive-looking video games.
Pérez Irigoyen’s company Dessignare has found success with unconventional screen formats for animation in planetarium venues and virtual reality.
Director John Krasinski wanted to create a tactile and tangible world for a whole host of diverse characters.
Shannon Tindle and John Aoshima discuss their roles as director and co-director of the new Netflix feature ‘Ultraman: Rising.’
Out today, ‘3 Body Problem’ promises to be a spectacle unlike anything the streamer has released so far.
‘Stopmotion’ is a live-action horror film, but also contains three stop-motion shorts within its 93-minute runtime.
Bakshi also gave us access to a trove of behind-the-scenes artwork and explained how his team brought life to Element City and its characters.
Autodesk senior engineering director Jeff Bell explains the benefits of the company’s new cloud-based asset management platform, Flow.
Visual effects supervisor M. Scott McKee shares insights and artwork from behind the scenes of Netflix’s upcoming feature.
For the Greenpeace campaign video “Wasteminster,” the studio had to drop the equivalent of 67.7 million items of cg trash onto the U.K. prime minister’s residence.