‘The Tick’: Making A Completely CG, 2,000-Foot Human On A TV Schedule And Budget
Behind the scenes of FuseFX’s Very Large Man digital human created for the Amazon series “The Tick.”
Ian Failes
7 Weeks, 917 Frames, Glass Beads, Hair Wax, And Vaseline: Inside ‘Early Man”s Longest Shot
How Aardman Animations pulled off the hilarious massage scene in Nick Park’s “Early Man.”
Maintaining A Cohesive Vision On ‘The Breadwinner’: How A Co-Production Between Ireland And Canada Worked
Many animated features are made as co-productions nowadays. But how do studios actually collaborate on a film? We spoke with Toronto-based Guru to learn how they worked with Ireland’s Cartoon Saloon on “The Breadwinner.”
Why The Craziest Stunt In ‘Black Panther’ Took 214 Versions
We look at how vfx studio Luma Pictures helped deliver that high-octane car chase scene for Ryan Coogler’s blockbuster superhero film.
Facebook Makes It Easier For Creators To Share 3D Posts
Get ready to see a lot more 3D content on your Facebook news feed, but how do you get it there and what can you do with it?
Tips From The VFX Oscar Nominees For Working With Film Directors
Five vfx supes from the five vfx Oscar-nominated films share tips for collaborating with film directors.
‘Peter Rabbit’ Director Will Gluck On Making a Hybrid CG/Live-Action Film — And Why It Was So Tough
A very candid chat about the challenges of making of “Peter Rabbit.”
PREVIEW: Pakistani Animated Feature ‘Allahyar and The Legend of Markhor’
A real-time rendering pipeline using Unreal Engine 4 helped make possible this soon-to-be-released feature from Pakistan.
The Evolution of Snoke In ‘The Last Jedi’: From Andy Serkis To Animation
A look at how ILM and Andy Serkis’ Snoke continued to evolve during production on the latest “Star Wars” film.
‘Paddington 2’: How To Find A Character’s Performance
‘Paddington 2’ animation supervisor Pablo Grillo talks with us about how Framestore explored animation style and technique to discover the personality of its cg-animated star.
‘Garden Party’ Filmmakers On Why Photoreal CG Was The Right Creative Choice For Their Film
This quirky Oscar-shortlisted student film from France is a fine example of how photoreal CG can be an effective storytelling choice.
From Book To Animation: What It Took To Adapt Roald Dahl’s ‘Revolting Rhymes’
How the directors of ‘Revolting Rhymes’ adapted Roald Dahl’s classic collection of poems, and scored an Oscar short-listing.
Q&A: ‘Okja’ Director Bong Joon-ho Talks About Working With Visual Effects
“Okja” helmer Bong Joon-ho offers a director’s perspective on creating a lead character that is entirely computer generated.
How ‘Downsizing’ Managed Its Miniature Moments
There are hundreds of visual effects shots in “Downsizing, but the film is certainly not a visual effects movie.
‘Jumanji: Welcome to the Jungle’: More Than Just CG Creatures
‘Jumanji: Welcome to the Jungle’ features plenty of cg jungle animals, as well as a number of other visual effects.
The 3 Effects Techniques Guillermo del Toro Used In ‘The Shape of Water’ To Create A Convincing Character
Practical effects, digital make-up, and dry-for-wet filming helped make Guillermo del Toro’s ‘The Shape of Water’ possible.
‘Ferdinand’: Q&A with Blue Sky Director Carlos Saldanha
The director of ‘Ferdinand’ sits down for a chat about Blue Sky Studios’ latest film, and talks about how they combined classic and contemporary influences to bring the story to the screen.
Aardman Nathan Love Animates A CG LeBron James With A Stop-Motion Vibe
Sprite’s new holiday campaign turned LeBron James and D.R.A.M. into cg characters.
Digital Humans In Real-time Are The Star In Neill Blomkamp’s Latest Short
Neill Blomkamp’s Oats Studios made a new short using Unity game engine.
‘Geri’s Game’ Turns 20: Director Jan Pinkava Reflects On The Game-Changing Pixar Short
‘Geri’s Game’ director Jan Pinkava sits down with Cartoon Brew for an in-depth interview on the Pixar short’s 20th anniversary.
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