Making Bread With Alex Boya: How The Canadian Artist Is Worldbuilding In Reverse With ‘The Mill’
Using Giphy, Boya is baking up an expanded universe called ‘The Mill’ to generate interest in a short film and/or series.
Using Giphy, Boya is baking up an expanded universe called ‘The Mill’ to generate interest in a short film and/or series.
Zaramella’s diverse body of work includes technically adventurous films that use live action, drawings, clay, pixilation, paper puppets, human fingers, and all manner of other objects.
This week’s subject is the L.A.-based Kangmin Kim, whose stop-motion films showcase striking design and innovative storytelling.
Xi Chen’s cut-out films take a slow dive into personal stories in order to tackle larger societal and cultural issues in China.
After Israel’s government decided to support only live-action film, the country’s animators banded together and pressured the bureaucrats to change their course.
Pelstring’s animation is akin to watching early 1980s television on a broken down portable tv set while ingesting a small dose of mescaline.
The Canadian duo uses relatable stories and characters to dive into chance encounters, random collisions, and the fragility of existence.
Without the RISD, there would be no Superjail!, Avatar: The Last Airbender, or Family Guy.
Cartoon Brew asked several stop motion experts about their feelings on felt, and what makes it the right material for certain projects.
Hykade’s films combine a distinctive, minimalist design with often deeply personal stories about masculinity, religion, addiction, and love.
Joseph Pierce’s darkly comic and surreal work unearths the often absurd and dark spots in human behavior.
Learn about British filmmaker Phil Mulloy whose bold, grotesque, and minimalist works explore the dark and savage side of human nature.
A look at how Lei Lei combined his own ancestry with photos picked up at flea markets to tell a timeless story about family.
Buckelew’s understated body of work often explores our complicated relationship with technology.
Sander Joon’s films combine absurdist scenarios with bold minimalist design and stylish abstract animation.
We speak with some of the school’s graduates to find out what they liked – and didn’t like – about this iconic animation program.
Alberto Mielgo’s acceptance speech was as problematic as the other issues of the evening. It denied animation history. It rejected what exists, has existed, and will continue to exist.
Špela Čadež’s visually distinct works deal with tricky themes like addiction and domestic violence with compassion, humor, and no judgement.
Self-taught, Chintis Lundgren quickly made a mark in the animation world with her visually distinct and quirky works that place animal characters in frequently absurd, kinky, and distinctly human situations.
Jansen’s masterful integration of archival footage, audio recording, and animation was key to the success of three-time Oscar-nominated “Flee.”