How To Enhance Your 2D Animation With Vector Art Available In Cartoon Animator 5
Nathan Smith from Studio Ghibletz explains how his team used CA5 to improve their workflow on ‘Anomaly Karen.’
Nathan Smith from Studio Ghibletz explains how his team used CA5 to improve their workflow on ‘Anomaly Karen.’
Three SVA Alumni Scholarship Award winners discuss their work and how it was influenced by their time at the school.
Co-directors Shane Plante and Collin Tsandilis discuss the techniques they used to bring their characters to life.
Voice actor Ashley Boettcher and executive producer and co-creator Jared Mark discuss their work on the Oz update.
Toma Creators founder José “Zez” Vaz discusses Reallusion’s Pitch & Produce program and what Cartoon Animator 5 brings to the production process.
SVA alumni discuss life after graduation, and why so many have returned to teach at their alma mater.
Showrunners of the ‘Lost in Oz’ short ‘Packing Magic’ describe how they used visual collaboration platform Bluescape to coordinate teams and studios from across the globe in one digital workspace.
Cartoon Animator 2D Marketplace developer Garry Pye walks through a few reasons CTA5 will have your characters looking better than ever.
Having already won the Spanish Academy Goya award for best animated short, ‘The Monkey’ is now looking to make waves at the Oscars.
Lessons about collaboration and inspiration learned at the Filmakademie Baden-Württemberg’s Animationsinstitut proved vital to Zielke’s work.
Terril Calder, Marta Pajek, Amanda Forbis, and Wendy Tilby will participate in a digital roundtable hosted by the NFB and The Animation Showcase.
“Isolated and alone in an industrial and hyper-masculine world, it’s the story of someone’s struggle to discover their truth,” says Brown.
Joon discusses the semi-autobiographical nature of his short film, and how he fused different animation techniques to make it work.
Cartoon Animator 5 (CTA5) has launched with several crucial features introduced to level the playing field for amateur and professional artists alike.
Tippett Studio texture artist Michele Ahn discusses how she uses Marvelous Designer software to tell stories with fabric and texture.
The creators of “Lost in Oz” walked a delicate tightrope in order to pay homage to the original books while putting a fresh spin on the story.
The schools’ Career Accelerator tracks include hundreds of hours of live instruction from acclaimed industry professionals.
“The town is getting back to its fun-filled self… hopefully we will see some old and new faces back in town!” says director Paul Young.
Watch the winners across four categories: Business, Comic, Education, and Youtuber.
Using the right language is essential for effectively managing and communicating with animation clients