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Jarrod Prince made his 11-minute pilot mostly alone over five years on a shoestring budget. A year in, he’s plotting his next steps.
A gritty animated tie-in with the latest ‘Diablo IV’ expansion leans on tactile linework, expressionist lighting, and raw violence over polished CG spectacle.
A clip-show experiment and a cryptid competition series highlight the platform’s strategy of building around online fandoms.
The ‘Steven Universe’ creator reunited with SVA alumni to celebrate ‘Lonely Magic,’ sharing music, animation insights, and a live performance.
Anthropic has also joined the Blender Development Fund as a patron while expanding art school partnerships across the country.
Daniel Chong’s debut feature passes ‘Sinners’ at the global box office, reinforcing animation’s strength as a driver of original theatrical hits.
The festival’s latest selections highlight a globally diverse slate of auteur-driven features, rising voices, and audience-friendly titles.
From studio previews to auteur tributes, this year’s slate highlights animation’s evolving landscape across commercial momentum and creative ambition.
The painterly pilot merges hybrid tools, fine art influences, and real-time audience input, revealing a tailor-made approach for a digital-native production.
The landmark series has pushed the boundaries of what’s possible for independently produced, digital-native animation in the streaming era.
Singapore’s ‘The Straits Times’ reports a suspect accessed a studio server and spread the film online. He could face 7 years and/or a $50,000 fine.
Siegler’s student film builds out from a surreal island of spellcasters, blending chaotic humor, mixed media, and very real emotional themes of exclusion.
Art director Stefano Scapolan details dynamic symmetry, lighting, and palette choices that shape the series’ cinematic 2D look.
Four-episodes now on YouTube explore free speech, censorship, and government basics through colorful puppets and public-TV-style storytelling.
After ‘Family Guy’ and ‘Rick and Morty’ spinoffs broke the TV animation barrier, a trio of studio features will now similarly benefit.
Alberto Vázquez’s latest feature opens May 15 in the U.S., following a troubled mouse who suspects his world is an illusion.
French artist Nicolas Pegon and producers Wizz and FOST unveil a stylized feature blending underground comics, punk music, and a surreal small-town mystery.
Developed at The Line, the game features a looping animation concept that becomes interactive, using death as a power-up across mechanics, levels, and story.
Ahead of its premiere, director Alejandra Pérez González discusses reshaping the film and how Fotosíntesis built its expressive 2D world.
