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Inside the indie crowdfunded comedy about a 113-year-old vampire and her immigrant family, plus why its creator says studios get IP all wrong.
The Brooklyn studio sends Pac-Man into neon-lit New Pac-City for a monthly run of retro-styled shorts, premiering May 22 on YouTube.
Fumi Games co-founder Mateusz Michalak and art director Michal Rostek on Fleischer-era research, freeze guns, and a viral TikTok demo.
Production designer Aurélien Prédal explains the visual strategy, shifting styles, and aesthetic challenges behind the global series adaptation.
Jarrod Prince made his 11-minute pilot mostly alone over five years on a shoestring budget. A year in, he’s plotting his next steps.
Co-director David Florian says he expected ‘a little email back’ from Gobelins, not a public stance and legal threat defending the film’s six alumni.
Fresh off an Annecy main competition selection, Alberto Vázquez’s Goya-winning surreal satire arrives in U.S. theaters next month.
Fresh off a Berlin Crystal Bear win for ‘Whale 52,’ the indie legend faces a friendly onstage roast this Saturday, paired with seven of his shorts.
A supermajority of Wizards of the Coast developers are seeking voluntary recognition, citing layoffs, AI guardrails, and crunch protections.
A gritty animated tie-in with the latest ‘Diablo IV’ expansion leans on tactile linework, expressionist lighting, and raw violence over polished CG spectacle.
A clip-show experiment and a cryptid competition series highlight the platform’s strategy of building around online fandoms.
Anthropic has also joined the Blender Development Fund as a patron while expanding art school partnerships across the country.
Daniel Chong’s debut feature passes ‘Sinners’ at the global box office, reinforcing animation’s strength as a driver of original theatrical hits.
From studio previews to auteur tributes, this year’s slate highlights animation’s evolving landscape across commercial momentum and creative ambition.
The painterly pilot merges hybrid tools, fine art influences, and real-time audience input, revealing a tailor-made approach for a digital-native production.
Illumination returns to the French fest, reminding of its Paris studio roots and long-standing pipeline since the days of Mac Guff.
The landmark series has pushed the boundaries of what’s possible for independently produced, digital-native animation in the streaming era.
Siegler’s student film builds out from a surreal island of spellcasters, blending chaotic humor, mixed media, and very real emotional themes of exclusion.
Art director Stefano Scapolan details dynamic symmetry, lighting, and palette choices that shape the series’ cinematic 2D look.
