.png){kind=logo}
The duo debuted on February 10, 1940, in ‘Puss Gets the Boot’ (1940), so we’re celebrating with a look at the rare occasions the normally mute duo spoke up.
The anime feature gets a brief big-screen showcase overseas, underscoring Netflix’s ongoing habit of treating cinemas as optional extras.
How How a garage studio stop-motion experiment evolved into Italy’s first original adult animated series, built without a plan, pipeline, or precedent.
‘Winter in March’ is a handcrafted film that uses soft materials to explore difficult, often painful subjects following Russia’s invasion of Ukraine.
The inaugural EFM Animation Days is heating up with high-profile titles and companies using it as an early year launchpad.
The former executive claims a prior settlement guaranteed backend compensation and meaningful credit on several high-profile projects that never came.
Electronic musician spktra on obsessively crafting the look of his ’90s-inspired music video, teaching himself animation, and recruiting a ‘Batman Beyond’ vet.
GKIDS sets a limited release for May 10 and 11 for Shoji Kawamori’s original sci-fi feature, blending pop music, online identity, and social commentary.
Ted Sarandos defended Netflix’s Warner Bros. deal in a Senate hearing that quickly devolved from legitimate antitrust scrutiny to culture war theatrics.
A 25-year industry veteran, Porter has led global campaigns, advised top studios, and worked on the Oscar-winning short ‘War is Over!’
‘On The Edge’ originated at Studio BlueGreen, a not-for-profit animation studio using entertainment to strengthen audience connections with nature.
Adobe confirms Animate will stay in Creative Cloud, receiving only “security and bug fixes, but will not get new features,” as all development has ended.
From VHS scars to Showa-era rhythms, the self-taught animator revives lost media textures, turning retro decay into videos with hundreds of millions of views.
The sudden shutdown ends decades of workflows, jeopardizes active productions, and deepens fears that AI-first strategies are steering the industry.
The Welsh studio’s first original IP blends dystopian world-building, lean production, and a digital-first approach to original CG animation.
Early projections suggest a $40–50 million debut, testing whether Pixar originals can once again compete theatrically without franchise support.
“Honestly, f**k AI”: Bonne Animation launches with an era-appropriate philosophy rooted in human craft, global collaboration, and handmade 2D animation.
Tartakovsky is reportedly attached to the animated series ‘Nine Voyages’ (working title), expanding the story of Corlys Velaryon from ‘House of the Dragon.’
Lema’s animated short adapts her graphic novel using embroidered sets and bespoke 2D animation to tell a story about mental illness and family memory.
