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‘He’s cheating. You can’t just draw your cartoon,’ Harmon playfully accused Tartakovsky during a lighthearted talk on process and canon.
A supermajority of Wizards of the Coast developers are seeking voluntary recognition, citing layoffs, AI guardrails, and crunch protections.
With animation from Princess Pictures and Bento Box, the suburban comedy turns on a 13-year-old navigating split custody.
‘Winter in March’ is a handcrafted film that uses soft materials to explore difficult, often painful subjects following Russia’s invasion of Ukraine.
A gritty animated tie-in with the latest ‘Diablo IV’ expansion leans on tactile linework, expressionist lighting, and raw violence over polished CG spectacle.
A clip-show experiment and a cryptid competition series highlight the platform’s strategy of building around online fandoms.
Anthropic has also joined the Blender Development Fund as a patron while expanding art school partnerships across the country.
Daniel Chong’s debut feature passes ‘Sinners’ at the global box office, reinforcing animation’s strength as a driver of original theatrical hits.
The festival’s latest selections highlight a globally diverse slate of auteur-driven features, rising voices, and audience-friendly titles.
The painterly pilot merges hybrid tools, fine art influences, and real-time audience input, revealing a tailor-made approach for a digital-native production.
Illumination returns to the French fest, reminding of its Paris studio roots and long-standing pipeline since the days of Mac Guff.
The landmark series has pushed the boundaries of what’s possible for independently produced, digital-native animation in the streaming era.
Singapore’s ‘The Straits Times’ reports a suspect accessed a studio server and spread the film online. He could face 7 years and/or a $50,000 fine.
Art director Stefano Scapolan details dynamic symmetry, lighting, and palette choices that shape the series’ cinematic 2D look.
A behind-the-scenes look at how Eyebolls integrated 2D characters into live-action footage using careful staging and a nuanced compositing pipeline.
Four-episodes now on YouTube explore free speech, censorship, and government basics through colorful puppets and public-TV-style storytelling.
After ‘Family Guy’ and ‘Rick and Morty’ spinoffs broke the TV animation barrier, a trio of studio features will now similarly benefit.
French artist Nicolas Pegon and producers Wizz and FOST unveil a stylized feature blending underground comics, punk music, and a surreal small-town mystery.
The filmmaker details lessons learned at Disney, building up a new studio, and collaborating with Madrid to expand creative ownership.
