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The studio system vet leaves blockbuster scale behind to explore myth, violence, and nature in a stark, self-driven project with help from his readers.
Isamu Imakake’s spirit-world fantasy secures U.S. distribution following its Japanese theatrical run, arriving on digital platforms March 3.
After two years in development, Sony has pulled the plug on the culturally rooted animated feature, calling it “not commercial enough.”
Moho’s free 14.4 Side Quest update lets animators export full 2D rigs and animations to Unity, Unreal, Godot, and Blender using the glTF format.
The duo debuted on February 10, 1940, in ‘Puss Gets the Boot’ (1940), so we’re celebrating with a look at the rare occasions the normally mute duo spoke up.
Cartoon Brew’s co-founder will deliver a personal keynote at the world’s second-oldest festival, reflecting on authorship and American animation history.
From browser tools to iPad loops, the digital animator explains how rhythm, limitation, and daily practice shaped his uplifting viral work.
Three brothers embark on an awkward medical journey that blends dry humor, fragile masculinity, and handcrafted animation into a moving viewing experience.
A U.K. orchestral tour and a hands-on Young V&A exhibition bring the studio’s stop-motion legacy to new audiences in 2026.
This year audiences got Super Bowl spots for the new ‘Mario Bros.’ and ‘Minions’ movies, as well as Pixar’s next original, ‘Hoppers.’
The anime feature gets a brief big-screen showcase overseas, underscoring Netflix’s ongoing habit of treating cinemas as optional extras.
How How a garage studio stop-motion experiment evolved into Italy’s first original adult animated series, built without a plan, pipeline, or precedent.
The inaugural EFM Animation Days is heating up with high-profile titles and companies using it as an early year launchpad.
Electronic musician spktra on obsessively crafting the look of his ’90s-inspired music video, teaching himself animation, and recruiting a ‘Batman Beyond’ vet.
GKIDS sets a limited release for May 10 and 11 for Shoji Kawamori’s original sci-fi feature, blending pop music, online identity, and social commentary.
Ted Sarandos defended Netflix’s Warner Bros. deal in a Senate hearing that quickly devolved from legitimate antitrust scrutiny to culture war theatrics.
The veteran executive joins the company in a newly created role overseeing production, creative operations, and talent management.
‘On The Edge’ originated at Studio BlueGreen, a not-for-profit animation studio using entertainment to strengthen audience connections with nature.
Adobe confirms Animate will stay in Creative Cloud, receiving only “security and bug fixes, but will not get new features,” as all development has ended.
