‘At This Rate, There Will Be No Future’: Anime Icon Rintaro On Animation’s Aversion To Risk
At Busan, the director of ‘Galaxy Express 999’ and ‘Metropolis’ discusses remakes, generative AI, and the importance of creating something new.
Filmmakers shared their craft at Turin’s View Conference, while AI evangelists (a real job title of one speaker) insisted everyone already uses the technology.
At Busan, the director of ‘Galaxy Express 999’ and ‘Metropolis’ discusses remakes, generative AI, and the importance of creating something new.
Led by John Pomeroy, the team of studio vets blended 2D woodland creatures with live action and shot a BTS video discussing their carefully preserved craft.
Tokyo’s animation program pairs international premieres and original anime with discussions on creative careers and opportunities for women directors.
Australia’s ABC demands far-right party One Nation stop using Bluey in violent political cartoons and considers legal action.
Once shelved by Warner Bros., Dave Green’s hybrid could turn its unlikely comeback into an awards-season black eye for the studio that buried it.
Friends and collaborators remember Eric Bauza as a gifted performer, artist, animation advocate, and generous friend who brought people together.
Laika’s latest more than doubled ‘Missing Link’s’ debut, with international expansion and the studio’s track record adding context to its opening.
A man returns to the hockey rink of his childhood in a raw, hand-drawn exploration of sexual abuse, repressed trauma, and the difficult path toward healing.
Jessica Borutski and ‘Grim & Evil’ creator Maxwell Atoms discuss lost job opportunities, AI, and if animation artists can still sustain careers in Hollywood.
Tim Long and John Harvatine discuss the handmade puppets, costumes, and clay worms behind this year’s ‘Treehouse of Horror’ opening.
From his beginnings at a drawing desk to his advocacy for the medium, Bauza brought a deep understanding of the art of animation to every role he played.
Bona Film Group’s AI experiment struggled to attract attention, months after the humble ‘Niu Lai’ turned online ridicule into almost $10 million in sales.
The series from creator Ross O’Donovan, better known online as RubberRoss, earned a full-season order after its pilot topped 31 million views.
A boy seeks closure after losing his grandfather in this hand-drawn, continuous-shot short, with animation led by James Baxter and an international team.
Daniel Zvereff discusses the creative ambition and personal sacrifices behind his Venice-premiering sci-fi feature, animated by three artists in nine months.
Sony has published a rare, behind-the-curtain look at its strategy to connect Japanese animation production with global distribution, gaming, and merchandising.
Tracy Shaw and Anna Lord take the helm as the BAAs prepare new categories, including opportunities for international animation to compete.
Louis Clichy’s ‘Iron Boy’ earned both the audience and special jury awards, while Anna Mantzaris’s ‘Please’ also picked up a shorts prize.