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A deeply personal poem on self-acceptance becomes a five-year effort to craft a stop-motion short centered on Black queer love.
A U.K. orchestral tour and a hands-on Young V&A exhibition bring the studio’s stop-motion legacy to new audiences in 2026.
How one accidental screening led a lifelong NFB relationship blending documentary, animation, mentorship, and the preservation of Canada’s film history.
‘Winter in March’ is a handcrafted film that uses soft materials to explore difficult, often painful subjects following Russia’s invasion of Ukraine.
This year audiences got Super Bowl spots for the new ‘Mario Bros.’ and ‘Minions’ movies, as well as Pixar’s next original, ‘Hoppers.’
The anime feature gets a brief big-screen showcase overseas, underscoring Netflix’s ongoing habit of treating cinemas as optional extras.
How How a garage studio stop-motion experiment evolved into Italy’s first original adult animated series, built without a plan, pipeline, or precedent.
The inaugural EFM Animation Days is heating up with high-profile titles and companies using it as an early year launchpad.
The former executive claims a prior settlement guaranteed backend compensation and meaningful credit on several high-profile projects that never came.
GKIDS sets a limited release for May 10 and 11 for Shoji Kawamori’s original sci-fi feature, blending pop music, online identity, and social commentary.
Ted Sarandos defended Netflix’s Warner Bros. deal in a Senate hearing that quickly devolved from legitimate antitrust scrutiny to culture war theatrics.
The veteran executive joins the company in a newly created role overseeing production, creative operations, and talent management.
A 25-year industry veteran, Porter has led global campaigns, advised top studios, and worked on the Oscar-winning short ‘War is Over!’
Adobe confirms Animate will stay in Creative Cloud, receiving only “security and bug fixes, but will not get new features,” as all development has ended.
From VHS scars to Showa-era rhythms, the self-taught animator revives lost media textures, turning retro decay into videos with hundreds of millions of views.
D’Amaro will take over for outgoing boss Bob Iger on March 18, with Dana Walden also set for a promotion to president and chief creative officer.
The sudden shutdown ends decades of workflows, jeopardizes active productions, and deepens fears that AI-first strategies are steering the industry.
Early projections suggest a $40–50 million debut, testing whether Pixar originals can once again compete theatrically without franchise support.
“Honestly, f**k AI”: Bonne Animation launches with an era-appropriate philosophy rooted in human craft, global collaboration, and handmade 2D animation.
