‘I’m Laughing And Enjoying The Shapes’: Lizzy Hobbs On Animating ‘Daughters Of The Late Colonel’
The British auteur discusses humor, handmade animation, and the joy of animating ahead of the film’s Cannes debut and Annecy competition screening.
The long-running New York festival honored standout student, indie, and commercial films, with ‘Shapes’ winning Best in Show.
The British auteur discusses humor, handmade animation, and the joy of animating ahead of the film’s Cannes debut and Annecy competition screening.
The ‘Teen Titans Go!’ duo behind Illumination and Nintendo’s blockbuster Mario films will develop original animated projects for Netflix.
Moho’s free 14.4 Side Quest update lets animators export full 2D rigs and animations to Unity, Unreal, Godot, and Blender using the glTF format.
A feature adaptation of the Adult Swim hit is reportedly in early development as the franchise pushes beyond television and streaming.
The filmmaker and veteran storyboard artist explains how visual storytelling, rewritten structure, and handcrafted animation reshaped Michael Morpurgo’s novel.
David Derrick Jr. and John Aoshima will direct the long-developing Hello Kitty feature, with former Paramount animation boss Ramsey Naito producing.
Across animation, games, and TV, Kane brought gravity, warmth, and theatrical precision to hundreds of unforgettable roles over more than three decades.
Head of creative strategy Zach McCann explains why Bleacher Report is expanding its sports animation slate as anime, memes, and athlete fandoms converge.
Hasbro’s 40th anniversary re-release brings the 1986 animated cult classic back to cinemas for a limited theatrical run from Fathom Entertainment.
The Ghibli veteran shares stories from the making of the beloved anime features, from sunrise shoots to the films’ lush new 4K restorations.
The creative leads discuss the design rules, Titmouse pipeline, and grown-up relationship themes behind their return to adult animation.
The Berlinale-premiering hybrid feature blends 2D animation and live-action to portray a lonely janitor’s virtual escape from a dying film industry.
Gagnol talks collaborating with Lilas Cognet after long-time partner Jean-Loup Felicioli retired, handcrafted visuals, and bringing the 2D feature to Cannes.
Producer Fabian Driehorst discusses the film’s financing push, hybrid production style, and growing support from major actors and broadcasters.
New Netflix job postings outline plans for AI-driven animated shorts, full pipeline integration, and feature-quality output.
Created in the wake of Newplast’s shutdown, the wax-based material was developed with studio input for sculpting, molds, and durability over longer shoots.
The companies’ shared portfolio now includes ‘Vampire Family,’ ‘The Wolf & Red Riding Hood,’ ‘Snow and Briar (And the Mirror of Seven Sins),’ and ‘Sable Curse.’
Braly discusses financing, AI concerns, Annecy plans, and why the resurrected project needs a radically new visual approach, something he’s very excited to do.